![]() ![]() It's such a great metaphor for American foreign policy, particularly in the war on the drugs, where we continue to fail, and yet we continue to proceed in the same direction. "Scoot's character know that Gallardo is right, and he's still not going anywhere. What he loves most about Walt is his determination, and his drive for justice. Both guys find out that they're wrong, and they're having this conversation about where it's going to go," explained Newman, who gave credit to both Luna and McNairy, saying their performances were "spectacular." ![]() We're gonna go down there, we're gonna kick ass, and we're gonna win.' And FĂ©lix Gallardo believed he was going to control this partnership he had with the government, and that he wasn't disposable, he was a guy who had made himself so important in the economy of Mexico that he was above the law. Walt thinks, 'I'm going to go down and get justice. Neither one of them got the thing that they wanted, and they both went into this thing very naively. "What I think is very unique about this show at that point in the season, they're no longer adversaries. ![]() "In every season of Narcos, we're inspired by films we've seen and stories we've heard, and that particular scene was very much influenced by Heat, and the need to have these two adversaries sit down and face off, and to get some sense of their ideology," said showrunner Eric Newman, who elaborated on the final scene in an interview with Collider:
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